Download e-book for iPad: Women, Murder and Femininity: Gender Representations of by Elisabeth Seal

By Elisabeth Seal

ISBN-10: 0230222757

ISBN-13: 9780230222755

Girls who kill rupture the assumptions approximately what a girl is. This publication explores diversified socio-cultural understandings of ladies who dedicate, or are accused, of homicide. It discusses a variety of situations so that it will spotlight the ways that such girls were perceived.

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Download e-book for kindle: Women, Murder and Femininity: Gender Representations of by Elisabeth Seal

Girls who kill rupture the assumptions approximately what a girl is. This publication explores diversified socio-cultural understandings of ladies who devote, or are accused, of homicide. It discusses quite a lot of situations so one can spotlight the ways that such ladies were perceived.

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Extra resources for Women, Murder and Femininity: Gender Representations of Women Who Kill (Cultural Criminology)

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Their remains were discovered in the basement and garden of the house in Gloucester that she shared with her husband, Fred. Fred was also accused of the murders but committed suicide whilst awaiting trial (Cameron, 1996; Winter, 2002, 2004). Rose was 41 when she stood trial, had been married and was a mother. Due to the multiple victims, Rose was labelled a ‘serial killer’, more usually a masculine construction. The murders of which she was found guilty took place over a 20-year period. They involved the sexual and physical torture of the victims.

Another intellectual discipline that has produced discourses of the masculine woman is sexology, the scientific study of sex. Sexology emerged in the late nineteenth century, when writers such as Krafft-Ebing (1894) and Ellis (1897) sought to enumerate, categorise and explain different sexual identities. Nineteenth-century sexologists turned their attention to homosexuality in women and men, conceptualising it as sexual inversion. Female homosexuals were thought to possess excessively masculine traits, and males excessively female ones.

2006). Her enactment of distress or difficulty in order to persuade men to stop their cars was represented in court and in the media as a fraudulent performance of femininity designed to trick unsuspecting male motorists. Rather than being a real ‘damsel in distress’, Aileen was a masculinised serial killer (Pearson, 2007). She even transgressed the rules of feminine killing. Instead of killing within a domestic setting, she crossed into the masculine space of the open road and open air. This made her particularly terrifying.

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Women, Murder and Femininity: Gender Representations of Women Who Kill (Cultural Criminology) by Elisabeth Seal


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