By Burne Hogarth
While scholars say they have obtained this booklet, i encourage them to come back it ASAP. The undying and persuasive great thing about Hogarth's pencil method blinds humans to a severe flaw: he is making these things up.
The undeniable fact that he makes use of his personal non-standard terminology isn't in itself a flaw. however it does spotlight the truth that he's continuing from his personal really idiosyncratic tackle issues, his hunches and behavior, instead of any assessment of alternative books at the subject--much much less any connection with truth. He makes up his personal language for folds, a lot as he makes up the anatomy in his extra recognized ebook. those books are more often than not dead simply because they just educate you to attract (and speak) like Burne Hogarth.
Don't think me? give some thought to the very first thing that pupil artists grab once they are made to attract folds AS actual items: folds are non-stop raised varieties alternating with valleys or plains. yet at the disguise of this booklet you'll discover Hogarth fudging that very important figure-ground courting like a lazy first-year artwork scholar. examine the dotted arrow closest to the flattened man's correct foot (near left fringe of cover). The dotted arrow-line is rooted on a line that starts off out describing the LEFT part of a roll but finishes, at the top floor of the pantleg, defining the fitting fringe of a roll.
This does not take place in truth, no longer now nor at any time within the heritage of garments, but an analogous figure-ground confusion is repeated all through during this drawing, least subtly within the correct armpit, the place Hogarth is decidedly drawing beautiful strains with no proposal to what they describe. Which elements are raised folds and which the depressions among? Who knows?
Jack Hamm's vintage publication Drawing the pinnacle and determine (Perigee) is infinitely extra necessary simply because it is rooted in Hamm's personal autonomous, reality-tested observations instead of Hogarthian fantasia.
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Additional resources for Dynamic Wrinkles and Drapery: Solutions for Drawing the Clothed Figure (Practical Art Books)
2,143,787 and others. Shuman in Defensive Publication T900,010, published 7/18/72 describes how blue colloidal silver with a very small particle size can be changed to the yellow form by contacting with halide ions. According to T900,010 this process may be accomplished imagewise by contacting the blue colloidal silver layer with an exposed and developed silver halide image. Thus, the image results in the change of color from blue to yellow in the area corresponding to the developed silver halide image.
Paul, MN) Patent Number: 3,941,599 Date filed: June 20, 1975 Abstract: Color contrast photographic images may be produced in a photographic element comprising:1. a base2. at least one layer of a silver halide photographic emulsion dispersed in a hydrophilic colloidal binder and reactively associated with at least one color coupler, and3. at least one hydrophilic colloidal binder receptive layer containing dispersed silver condensation nuclei for the formation of colored colloidal silver, reactively associated with said emulsion layer, said nuclei and coupler selected to give rise to substantially differing colorsBy developing said photographic element in the presence of a p-phenylene diamine developer and carrying agent for silver halide.
Excerpt(s): This invention relates to dye image-generating photographic elements containing at least one colloidal silver layer and at least one hydroquinone antistain agent. Photographic elements which produce viewable images consisting essentially of dye, hereinafter also referred to as dye image-generating photographic elements, and which contain both colloidal silver and hydroquinone antistain agent are well known in the photographic art. Such photographic elements can be illustrated by silver halide photographic elements containing a colloidal silver layer.
Dynamic Wrinkles and Drapery: Solutions for Drawing the Clothed Figure (Practical Art Books) by Burne Hogarth