By Michael Rabiger
Tens of hundreds of thousands of readers have benefited from Michael Rabiger's vintage textual content on documentary filmmaking, now up to date to mirror the progressive swap to electronic video apparatus and software program. you are going to the way to study and concentration a documentary movie or video concept, enhance a workforce, direct the group, retain regulate in the course of taking pictures, and oversee postproduction. sensible paintings is emphasised, with dozens of routines and questionnaires to aid concentration your principles and provides you hands-on perform. The documentary is taken care of as a tremendous style in its personal correct, in addition to an invaluable prelude to directing function movies.
The fourth version is an important replace. The book's emphasis has continuously been on concrete steps you could take to develop into a documentary filmmaker, and there are a great deal of new tasks to assist, besides review tables that let you gauge your growth. moreover, there's new fabric on situation sound, the truth television pattern, most sensible documentaries to work out, and extra.
*The definitive consultant to creating a documentary
*A hands-on technique with dozens of exercises
*A totally up-to-date 4th version of the vintage textbook
Read or Download Directing the Documentary (4th Edition) PDF
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Additional resources for Directing the Documentary (4th Edition)
One is that documentarians everywhere report shrinking budgets and dwindling production schedules. This, of course, is the law of supply and demand at work. The other is that the public has an insatiable appetite for “infotainment” shows based on police recordings, accidents, and bizarre events captured in home movie clips. By no stretch of the imagination are they documentary, even though they often document how people react in trying situations. They do, however, use documentary observation and provide work for documentary crews.
Their competing claims of ﬁdelity to the actual are equally questionable because editing routinely abridges what was originally separated by time and space. Despite any appearance of objectivity and verisimilitude, the documentary, like the ﬁction ﬁlm, is always being channeled through human points of view—of those in front of the camera as well as those behind it. In the end, all documentaries must invoke, as best they can, the spirit rather than the letter of truth—and they are exciting because of this.
Each revision of outlook is formed with the beneﬁt of hindsight, of course, but each emerges from a different political and social consciousness from that considered true at the time. The lesson here is that that the same footage can support different interpretations. This fact about ﬁlm may have shifted the world’s notions of truth, because its plasticity epitomizes how all truth is relative. As people ﬁnd more or different information and new researchers uncommitted to earlier viewpoints reinterpret complex patterns of action and event, they propose new chains of cause and effect and produce more broadly embracing historical explanations.
Directing the Documentary (4th Edition) by Michael Rabiger