Get Communication, cultural and media studies : the key concepts PDF

By John Hartley

ISBN-10: 0203449932

ISBN-13: 9780203449936

ISBN-10: 0203457544

ISBN-13: 9780203457542

This fourth variation of Communication, Cultural and Media stories: the foremost Concepts is an indispensible advisor to an important phrases within the box. It bargains transparent motives of the foremost suggestions, exploring their origins, what they’re used for and why they galvanize dialogue. the writer presents a multi-disciplinary rationalization and evaluation of the foremost thoughts, from ‘authorship’ to ‘censorship’; ‘creative industries’ to ‘network theory’; ‘complexity’ to ‘visual culture’.

  • The new version of this vintage textual content includes:
  • Over two hundred entries together with 50 new entries
  • All entries revised, rewritten and updated
  • Coverage of contemporary advancements within the field
  • Insight into interactive media and the knowledge-based economy
  • A totally up to date bibliography with four hundred goods and recommendations for additional studying in the course of the text

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Additional resources for Communication, cultural and media studies : the key concepts

Example text

There are several issues here: . Digital information can be reproduced without losing quality in the process: that is, digital information is easier than analogue to pirate. 41 COPYRIGHT . The benefit of copyright is that it allows the creator of a soughtafter information asset to reap a reward for its exploitation. If software or any other creative or inventive information were to be distributed without such reward opportunities, then many would be discouraged from creating it in the first place.

Indeed, while there is no doubt that both news reporters and media analysts can and do strive for truthfulness (much of the time), nevertheless it is difficult to ‘envisage how objectivity can ever be anything more than relative’ (Gunter, 1997: 11). It is better to understand the news not as the presentation of facts, but rather as the selection of discourse through which to articulate a particular subject matter or event. Thus, understanding the representations contained within the news can be achieved by, for example, discursive analysis rather than accusations of bias.

AUTHOR/SHIP ‘genius’ but from an ability to exploit these resources. Once written, a text takes on a life of its own, and what it means depends on the conditions of its circulation and the uses to which it is put in different places and times. Its meanings are always plural, and always exceed what the writer thought was going on, intentionally or otherwise. However, so established has the concept of authorship become that it has achieved a kind of hegemony. It seems to represent a pathological desire for an ultimate origin, a god who will finally limit the infinite potentiality of meaning.

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Communication, cultural and media studies : the key concepts by John Hartley


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